iLife 11 announced: iMovie returned to its former glory?

Mr Jobs had another one of his announcement extravaganzas today, announcing a slew of new hardware and software. Australian Macworld have a great wrap on it all (Disclosure: I am a contributing writer for Australian Macworld), but aside from the understandable excitement on the Mac App Store and Mac OSX Lion, I was most taken by the update to the iLife suite.

Like a lot of iMovie users, I loved the 06 version, which was then arguably devolved to iMovie 08. I’ve actually gotten used to the 08 version but it still doesn’t make the grade in a lot of ways. It seems that Apple have actually heeded the outcry, with the 2011 iteration looking a little more like its grandfather. There’s also a bunch of new features such as storyboarding and simple trailer creation that will reflected in thousands of online video uploads.

I’ve got a review copy of iLife 11 on order, so watch this space, and the Apple guff on iLife can be found here.

In the meantime, a prediction: the new Mac App Store will see iMovie, iPhoto and Garageband plugins / add-ons for sale.

iPhone as complete band: Atomic Tom prove it

I’ve been writing about the iPhone and music for a number of years now, and I’ve never ceased to be amazed by the quality of the music apps created.

A lot of people get excited by the newer apps released, but there’s plenty of life in the older ones too, as demonstrated by New York outfit Atomic Tom. Using four iPhones and some amplification, they shot a video on the New York subway. The video itself was shot by four people just using the iPhone’s video capture capabilities. The drum, vocal and piano apps are all evergreens, I’m unsure on which specific guitar and bass apps are used.

Enjoy:

via [Gus Lozada]

Three great online communities for musicians

Online communities are one of the greatest things about using the net, and as a musician I’ve heavily used a bunch over the past decade. I thought it might be useful to point you in the direction of some forums that you may not have come across before. They all have long-standing populations of musicians that are usually very welcoming of newcomers. I’ve found that forums like these can solve a lot of problems as well as being a great source of advice for those looking to buy new or used musical instruments. I also learnt on one of these forums that one can suffer from GAS – Gear Addiction Syndrome.

In no particular order:

1. Musicplayer Forums

Run by the US company that publishes EQ, Bass Player, Guitar Player and Keyboard magazine, these forums cover all the bases. If your forum post makes a particularly original or interesting point, it also can end up in the magazines. Disclosure: I do moderate one of the smaller forums (for free) and have been a contributor on the forums for nearly ten years.

2. Gearslutz

This community is focused on the recording musician, and it shows in the number and breadth of topics covered. Plenty of options for the newcomer to computer-based recording.

3. Harmony Central

Arguably one of the bigger communities online, there’s an enormous range of sub-forums including some high traffic off-topic forums. I find the signal to noise ratio can be high but the size of the community means there’s no shortage of interesting discussions going on.

So jump in. Forums sometimes get overlooked in favour of social media, but all three examples given show there are huge communities doing the do with not a Like button in sight.

Mashups: some of the best

One of the reasons I keep going back to YouTube is to see great mashups. As a musician / tech-head myself, I know how much work must go into each mashup on the audio side, let alone when you add video to the equation.

Tom Compagnoni has been creating mashups since 2003 and it shows. This year he’s released three gems, which you can see below. Mashups are an artform that excels when it is both seamless and striking in the contrast of songs, and Tom’s work on the three below, achieves those aims with flying colours. If you’re interested in how he does what he does, you can find out more here.

Here they are in no particular order (I’ve got to admit Thunder Busters is my favourite):

1. Whole Lotta Sabbath (Led Zeppelin vs Black Sabbath Mashup)

2. Thunder Busters (AC/DC vs Ghostbusters Mashup)

3. PJ Harvey, Tori Amos, Björk & Massive Attack Mashup

Would love to hear your favourite mashups – post away in the comments! No Rickrolling or Trololololing please 😉

Interview – Zak Claxton, Second Life musician

zakclaxton_liveZak Claxton is one of many Second Life musicians who have built up a loyal following. Over the past year I’ve been aware of Zak’s work on an album showcasing the body of original songs he’s built up. With the December 11th release of his self-titled album, I thought it was a good time to profile his work, to get his thoughts on the SL music scene and some tips of SL music performance.

I do need to make a disclosure – I’ve known Zak’s real-world alter ego for seven years or so – we’ve hung out together throughout that time on a number of musician discussion forums. We both became Second Life residents around the same time and the Metaverse Journal’s Second Life presence was constructed by Zak’s partner Kat Claxton from Encore Design Group. Finally, I have had extensive involvement online with the other musicians on the album as well.

On to the interview:

Lowell: You’ve been a musician for decades – aside from the Second Life learning curve, was there any aspect of musicianship you’ve had to learn or change with Zak?

Zak: Absolutely. Most musicians are used to receiving immediate feedback from their audiences, be it clapping, cheering, or throwing beer bottles at their foreheads. When I first started performing in SL, it was a bit disconcerting to finish a song and then wait for 15-40 seconds to have the audience react, due to the latency of the stream. You get used to it after awhile.

Also, on a personal basis, most of my musical experience as a live performer previous to SL was as a member of bands. It took a short while for me to get used to being alone on stage, with no other sources of music than what I can perform in real time with my guitar and voice. But I got over that relatively quickly… it’s just a matter of experience.

Lowell: Can you describe in a paragraph or two the process of making the album?

Zak: I am extremely fortunate to have developed close friendships with a number of talented people in the music/recording business. When I decided to get serious and do a “real” album (as opposed to something I could record in my bedroom on marginal equipment), I enlisted the help of engineer/producer Phil O’Keefe, and recorded all of the tracks at his Sound Sanctuary Recording Studios in Riverside, CA. Then I called upon the talents of a couple of other multi-instrumentalist friends; Bunny Knutson provided drums on every song as well as some additional guitar parts, and Ken Lee also came in for a few songs on keyboards and guitars.

The process was pretty simple. All of the songs were those I’d written to be able to perform as a solo artist, so it was just a matter of fleshing out the songs, arranging them for a rock band setting. We would go into Sound Sanctuary, and Bunny and I would perform the songs in real time, without any click tracks to lock us in. It was a very free and creative environment. After we got the drums down, we would layer other tracks via overdubbing. I played the majority of the guitars and bass, and did most of the lead and backing vocals as well. Phil O’Keefe also added various parts as needed.

We started recording in March 2008 and didn’t finish until August 2009, but that’s only because our respective schedules didn’t allow us to record whenever we felt like it. We actually only spent six days in the studio during that time frame, and each of those days had us creating two complete songs. The sessions were actually very productive. Phil would then make rough mixes as we went along, and at the very end we had one final session to go through and make tweaks to those rough mixes. The whole thing was very smooth, and since I was working with great friends, we had an incredibly fun time at each session.

Lowell: Can you divulge the inspirations behind any of your songs?

Zak: I’m inspired by many things, both for the musical and lyrical content of my songs. First and foremost, I’m inspired by all the great music that’s been done before me. I’ve spent a lifetime as a lover of all kinds of music, and I did my best to allow those influences to be reflected in my songs.

On a more specific basis, I find that nature is often a key source of inspiration. In a number of my songs, you’ll hear references to the sky, the sea, the sun, the stars and so on. I don’t know why; perhaps I feel these things are part of a bigger picture than the fleeting stuff that happens in our day to day lives. But I’m also inspired by relationships, and the interaction between people in general. Certainly, the fact that I’m madly in love with my ladyfriend Kat Claxton resulted in the creation of several songs on this album, specifically “This Afternoon” and “Always Tomorrow”.

Lowell: Have you written any songs based on your performances in Second Life?

Zak: I have, and have performed them upon occasion in SL. For example, I have a song called “Triana” that was inspired by a gal to whom Kat and I have become close in SL; she runs a weekly music trivia game we attend.

However, it was important to me to make a distinction between what I do in SL and what I do on a more general basis as a musician. I did not want to make this an SL-centric album, and it was my intention all along to create music that people could relate to whether or not they’ve even heard of virtual environments. It’s safe to say that nothing that ended up on the album is specific toward SL, only because I wanted all people to be able to enjoy it with or without references to virtual worlds.

Lowell: I know it’s hard to list a few, but are there particular SL musicians that you admire / have inspired or impressed you?

Zak: Definitely, yeah. SL is simply a microcosm of real life, and much like the rest of reality, you have a small percentage of people who probably shouldn’t be playing music in public, and then a much larger percentage of people who are pretty decent and can play and have fun along with their audience. And beyond that, you have a small number of people who are obviously very talented. Again, these percentages line up with what you’d expect from any collection of musicians in any real life community.

While most SL musicians do cover tunes in world, I have a greater admiration for those creating and performing original music. Some of my personal favorites include Grace McDunnough, a fellow singer-songwriter who is from Atlanta. I’ve also really enjoyed the live creations of a guy who would probably be considered a DJ, but is actually a great real-time remix artist named Doubledown Tandino. Slim Warrior is another original remix artist and singer who is very talented. She’s known in real life as SlimGirl Fat, and is currently achieving some well-deserved recognition in the UK. I also enjoy the music of a British guitar player and singer Blindboy Gumbo who does blues-based music. He’s great and does a fun show. Hexx Triskaidekaphobia puts on reggae/jam shows in SL as a pseudo-band called Born Again Pagans who are very original and cool. I also enjoy the performances of SL artists like Mimi Carpenter, Mel Cheeky, and several others.

Lowell: What are Zak’s goals for the future?

zakclaxton_albumcoverZak: I tend to create music for the sake of the music, as opposed to ulterior motives like fame or fortune. I can say for sure that I still have a lot of music inside of me that has yet to emerge. I’ve begun writing songs for a second solo album, which I intend to start working on in early 2010. But on an immediate basis, my self-titled debut album is just coming out now, so I have some stuff to do to help promote it. In that regard, I will be doing some live shows in real life, and we’re making an effort to get terrestrial radio airplay here in the USA in addition to the Internet radio play we get on stations like IndieSpectrum Radio and SL Live Radio. While I’m not fooling myself into thinking my album will be some massive pop hit, I still want to do the things that will at least give it a chance to get heard, so the current focus is in that regard. I’m working closely with Kat on this stuff, since we’re partnering in a record label called Frothy Music to do the release of my album.

And, of course, I intend on continuing to do live performances in SL on a regular basis. On average, I do about 5-6 shows each month, and I have no plans of slowing down. At the end of the day, I play in SL because I really enjoy it, and as long as there are people who want to see and hear me, I’ll be there.

Lowell: Have you collaborated at all with other SL musicians and if not, is it likely to occur in the future?

Zak: I have, but not in the way I’d really prefer. I’ve taken part in a couple of collaborative efforts that were designed to bring some attention to the SL music community as a whole, but in both cases, I just sang a few lines on someone else’s song and didn’t have much direct participation beyond that. However, I would definitely love to really collaborate on something new with a fellow SL musician. While I don’t have any firm plans at the moment, having focused on my own album in recent months, I can absolutely see that happening at some point soon.

Lowell: You’ve put a lot of work into developing the Zak Claxton persona: do you see Zak as a creative psuedonym for Second Life only or is there a broader connection for you?

Zak: My story is pretty funny in this regard. I became Zak Claxton pretty much by accident; it was a name that I picked while signing up for SL in 2006 without giving it much thought. I certainly didn’t plan on it being a name I’d use for purposes other than in SL. At that stage, I wasn’t even fully aware that one could perform music in SL at all.

I started doing live shows in SL in early 2007, and I can now honestly say that around the world, many more people know the name Zak Claxton as a musician than they would associate music with my given name. If I already had some really great sounding, marketable name in real life, I might have been more open to using it for my musical endeavors. But unfortunately, I don’t; my real life last name is kind of long and German and clunky. So, Zak Claxton has become my official stage name. I find it likely that with or without SL, I probably would have chosen an alternative name which I’d use to release my music, just as Bob Dylan, Sting, and many other artists have done before me. It just so happened that Zak Claxton sounds cool, and I’ve already built a decent-sized following of fans who know me as Zak. It all worked out, despite not being part of a plan. I love when random things happen like that.

Lowell: Does Zak have any plans to perform in other environments like OpenSim, Twinity or Blue Mars?

Zak: I see no reason why not, though I have yet to delve into any virtual world beyond SL. To me, these are all platforms where new fans might be found. Live music is an appealing form of entertainment in just about any environment, and if OpenSim, Twinity and Blue Mars (or others) offer ways to attract an audience and do performances as easily as can be done in SL, I think it goes without saying that I’ll eventually be looking into them.

Lowell: Ignoring the Second Life aspect, why should people buy your album?

Zak: What I really want is for people to throw away all the other stuff when it comes time to judge my album worthy of purchase. Don’t think about SL. Don’t think of me as an avatar strumming a cartoon guitar on a virtual stage. And above all, don’t think, “He’s pretty good for an SL musician.” I want the music and the recording to be judged based on the same criteria you would any new music you’ve ever heard. If you hear something that connects with you, and you truly enjoy the music, then I hope you buy the album, or at least get on one of the online retailers like iTunes and purchase the song you like via digital download.

I think there are aspects of the album that will have a strong appeal to people who appreciate music that lasts longer than the typical pop tune. My strongest musical influences — people like Neil Young, Joni Mitchell, Led Zeppelin, Pink Floyd, the Police, and so on — seemed to write music that stands the test of time, and doesn’t necessarily feel dated after a few years go by. I would like to think that my album possesses some of the qualities that put it in a similar vein. And while some folks may want to skip over the harder rock stuff and others won’t bother with the softer stuff, I think there’s something on the album for everyone who enjoys well-crafted songs. I hope so, anyway.

Lowell: Have you managed to convince the other musicians on the album to join you in SL? If not, why not?

Zak: Well, I can say that they’ve certainly heard me babbling on for three straight years about how I view SL as a musician’s paradise. But what I usually get in return are excuses like, “That seems cool, but I don’t have time for it,” or, “I’m not sure my computer can handle the graphics,” and so on. In fairness to them, not all of my real life collaborators are the type of musicians who are comfortable doing solo performances, as most SL shows are done. Out of the three folks who helped me on my record, only Bunny has even tried out SL, and sparingly at that.

On a side note, I would enjoy the hell out of doing a full band show in SL. I mean, there are logistical challenges, but it’s been done both as real-time live performances with the band members in the same room, and as relay-streamed performances where each musician is in a different place. But it can be done. Like most things in life, it’s more a matter of people with busy schedules and jobs and families to take care of, rather than a lack of desire to do it. I think it’ll happen eventually.

Lowell: Is it true the drummer on your album spent many hours camping in SL casino chairs before the gambling ban came in?

Zak: Let me tell you something about my drummer: I love Bunny as much as any man can love another without deviating from his heterosexuality. His contribution to the overall feel of the album cannot be understated. He was right there for every moment of the recording sessions, and added invaluable opinions to the process of capturing the songs. The mere fact that he was probably better known as a punk rock guitar player before tackling drums on this album says a lot. He stepped up to the occasion, and while he’ll tell you with typical modesty that his performances were subpar, I tend to think that he was the best drummer on the entire planet for my music.

And yes, I think he did enjoy some camping chairs during his brief tenure in SL. It’s certainly true to his form.

Lowell: What advice would you have for musicians wanting to create music in Second Life – what mistakes should they avoid?

zc_streetZak: Lots and lots of mistakes to avoid. First and foremost, check your ego at the door, as Quincy Jones once famously said. I’ve seen a number of musicians come into SL thinking they should be the hot ticket from day one, since they have a bit of real life experience as a musician. But as I mentioned earlier, there’s actually a pretty deep talent pool in SL, and like any music scene you’re trying to break into, you have some dues to pay in terms of getting recognized.

Second, it’s pretty silly for musicians to think of SL as a viable income source in and of itself. Granted, there are folks who’ve worked their asses off to develop a large fan following, and perform several times per day every single day, and make relatively great tips at each show. I can see some of those folks making enough money to pay their rent, perhaps. But in the entirety of the SL music scene, which probably comprises over 500 people who perform on a regular basis, there are maybe three to five folks who fit this description. It’s a tiny percentage.

Third, while you shouldn’t set the expectations too high from the income available in SL itself, don’t get discouraged and quit. In my opinion, the real value of SL to musicians is exposure beyond your wildest dreams. Look, I live in Los Angeles, right? One of the world’s musical Meccas. And yet, there’s no possible way I would have had as many people listen to my original music as I have with SL. That’s not even mentioning the fact that I have fans who enjoy my music and are based in Australia, Canada, all over Europe, across the USA, and so on. The opportunity for getting your music out there is tremendous.

Here’s a simple thing that still needs to be said: if you’re at all serious about using SL to perform at a level expected for a professional musician, don’t try and sing and play through your computer’s built-in mic using Voice. You should treat it like you would any real show, meaning you use gear that’s appropriate for showing off your skills, and you use an audio stream that will give reasonable quality to your sound. Anyone can hear the difference when musicians are using decent mics, instruments, computer audio interfaces and so on.

Finally, keep in mind that despite the preponderance of people like me who strum acoustic guitars and sing in SL, there should be no limitations in terms of the type of music you play. I’d actually like to see more hip hop artists, more ambient and experimental music, more classical music, and more jazz in SL. In fact, there are probably entire audiences of SL residents who are just waiting for more varied types of musical performances. No matter what type of music you do or how you perform it, give SL a shot and see what happens.

Lowell: Aside from musicians in SL, which SL residents have inspired you the most?

Zak: I’m certainly amazed by the talented builders and scripters in SL. Some of what they do is awe-inspiring. A blog run by resident Bettina Tizzy called “Not Possible in Real Life” (http://npirl.blogspot.com/) sadly just decided to close, but the content there is fantastic, showcasing the art, architecture, and other creative aspects of SL. I would also say that some of the SL-centric social commentators like Crap Mariner have been enjoyable to get to know. Also, the few people who have successfully established business models that work in SL are inspirational from the standpoint of virtual worlds’ continuing acceptance into the mainstream.

All that having been said, my biggest inspiration in SL does indeed come from the community directly involved in the music world, which includes the artists, the people who own and run venues, and the fans. It’s been a positive inspiration since day one, and even if I’d never used SL as a platform for my own music, it would have been highly worthwhile based on the friendships I’ve made through the SL music scene.

Interview – JaNa KYoMooN, Second Life musician

jana0508_001JaNa KYoMooN, the avatar used by Jan Pulsford, is a musician I’ve known since the late 90s when we were both involved with online music collaboration via the now defunct Rocket Network. Via Twitter, I connected Jan and JaNa, and knowing her extensive background in music performance and composition, I asked her if she’s be happy to be interviewed on performing in Second Life. She kindly agreed and provides some useful tips for those thinking of starting their performance career in a medium like Second Life.

Lowell: Can you tell us a little of your pre-SL performance and composition history?

JaNa: I suppose I am considered a “veteran musician” who, as Jan Pulsford, has lived an incredible life jam packed with musical adventures that started in London amidst the electronic and hair revolution of the late 80s. Touring the world as keyboard player for pop band the Thompson Twins, I ended up in the USA where I built a recording studio in the woods of Tennessee and formed a production company “Madame la Pulse Productions” working with many independent artists including Felicia Collins (who is now the guitarist for Late Night with David Letterman) and Kat Dyson and Sir Jam who both became members of Prince’s musical entourage. I also formed one of the first online labels during the frenzied Internet revolution of the 90s: “Collecting Dust Recordings”, releasing CDs by artists Nigel Pulsford, guitar player with multi platinum rock band Bush and Grammy nominated Dulcimer legend David Schnaufer.

Cyndi Lauper heard my music and invited me to New York where from 1993-2001 I worked as her co-writer, producer and touring musical director. The partnership spawned some of Cyndi’s most artistic and critically acclaimed work with over twenty co-written songs released on the albums “12 Deadly Cyns” ~ “Sisters of Avalon” ~ “Merry Xmas” and “Shine”. I’ve always loved the rhythms of dance and wrote Cyndi’s club hits “Come on Home”, “You Don’t Know” “Higher Plane” and “Cleo and Joe” which led to working with Grammy nominated DJ Julian Marsh on many of his Pride CDs featuring Happy Charles and Jajucha and more recently UK artist Alan Connor and Evan Cowden.

I’ve been lucky enough to have songs performed by artists as diverse as Ani da Franco, Steps, Darlene Love, Chico Freeman, Bruce Wooley, the Leaders, Dr. Elmo, Sweet Dreams, Zoe Girl, Jeff Oster, Hazell Dean, Julian Marsh and Townes Van Zandt. I’ve also had over twenty albums of production music for film and TV released. You name a TV program and my music has probably been used on it – from Oprah to Jerry Springer, MTV to the BBC! Film scores include “Unhook the Stars”, “Intimacy” and Audrey Tatou’s “At the End” which was written with Jazz great Chico Freeman. We continue mixing jazz with electronica and triphop on such projects as “Zolace”, “CJ7” and “aTHeNa BLue” the latter being best known for the ReQuieM 4 eLViS + JeSuS, which has been performed around a thousand times both on line and live at the City Skies Electronica festival in Atlanta and the Buzz + Click Festival for WRVU. Acid Planet recently ran a remix competition and it is being featured in an upcoming TV documentary about music for peace.

Lowell: During the 1990’s you were involved in net-based music collaboration, can you talk a little bit more about that?

jan_USBmidiJaNa: My fascination with music technology and computers started back in the days of the Oberheim System and continued through C-lab’s Notator on an Atari to working with Logic Audio on the Mac. I became a beta tester for Logic Audio’s Rocket Network, a global network of pioneers of on line collaboration and today I continue to develop that spirit in the 3D virtual world of Second Life where I perform as a solo virtual artist mixing electronica with ambient improvisations and rhythmic reflections.

I know that on line performance and collaboration is a huge part of the future of music and am still recording with people all over the globe, in fact that has been my mode of working for the last ten years. When Rocket disappeared, I reverted to using ichat/skype etc. passing midi files and audio via on line storage and yousendit. Everything has developed so quickly that it is really a lot easier to do than 10 – 15 years ago!

Lowell: What were the main things you learnt from that time that has helped your musicianship?

JaNa: It was great meeting like-minded people and showed that you don’t have to be in the same room to write music or a song! The thoughts flow down the wires and through the airwaves without the hindrance of physical contact – it’s the closest to mind melding and Spock. I was very fortunate to meet Chico Freeman on the Rocket Network who became one of my main writing partners. It was a truly brilliant concept and nothing has come close.

As an aside – I have learned over the years that too much software is developed by people who don’t understand or care about the practical uses. I’m about USING software and making it work for ME not playing the geek game. Most musicians are an altruistic lot and I have seen too many, myself included, unwittingly become enthusiastic unpaid beta testers for badly designed software for start up companies that ultimately will be sold off or floated on the stock market. . But that’s an article for another time!

Lowell: When did you first come across SL and what were your initial impressions?

JaNa: My first impression was it was a big black hole! I got into Second life in early 2006. My friend the ambient musician Tony Gerber had discovered it and as the avatar/musician Cypress Rosewood was having the time of his virtual life in a second life. . I followed him in as Emmeline Pankhurst and fast realised it could be an all-consuming proposition. After a major computer crash and several months later I tried again but couldn’t remember my password or any sign up details so rezzed a new avatar – ladies and gentleman – Miz JaNa KYoMooN. This time I “got it”

Lowell: When was your first SL gig and what are your memories of it?

JaNa: My first SL musical adventure was as part of the Peace Park Trio in 2006-7 playing at the Music ALL Music Peace Park, a sanctuary I built as a place of inner and global peace through music and the arts. I remember the exhilaration of really doing something new and special. We piggy backed three streams and played live. The mixture of electronica with dulcimer and Native American Flute was extremely successful. We played many gigs before the next crash – a mixture of Wall Street and black hole syndrome.

Lowell: When did you realise the music performance aspect would be a good option for you?

JaNa: In the summer of 2008 I started performing as a solo artist – quite a daunting prospect for someone whose whole musical life has been spent at the back of the stage or on the other side of the glass.

At first I was performing hard hitting electronica music from my aTHeNa BLue project but then as time went on it seemed the more down tempo, meditative ambient music was getting the biggest reaction. When I realized the positive aspect of performing this kind of music for spiritual and physical well being I decided to dedicate most of my performances in SL to this end.

Lowell: Can you give details of how you actually go about performing in SL?

JaNa: I have tried a few different setups. Running Logic and SL on the same computer can present problems so I try to have one computer for SL and the other one for Logic and Nicecast. I have also used GarageBand and iTunes to broadcast. I prepare sequences in Logic and prefer to have everything running live – I don’t use mp3s. Just the computer running sequences and me playing over them gives it a feeling of “anything could happen” – there is a certain energy from playing music live that you can’t communicate from lip syncing with ready made mixes. Everything I do with online concerts is prepared especially for that performance. To me music is a collection of moments and I usually capture what I play into Logic after each performance. Eventually I mix it down and make the music of the KYoMooN available as downloads in SL or on iTunes and CD Baby.

Lowell: What are some of your favourite SL venues to perform at?

jana_milesJaNa: They come and go but so many to choose from! The Music ALL Music Peace Park of course! The Pyramid art gallery and Club Ethereal run by Torben Asp and Jess Oranos. The Bluff Arts Center with ZeroOne Paz, Gaia Island with Enchantress Sao, Anthology with Trella Mohan, Dragonfly Reign with Magnolia Anthony and Broody Flow, Firehouse with Trowser Boa and Sugar Hill Island with Marjorie Dibou. The list goes on . . . . and on

Lowell: Have any SL experiences inspired you to write new music?

JaNa: Indeed! I believe music is all around us and we as composers learn to tap into that – we get our inspiration from a variety of stimuli depending where we are in our lives. I do try and write a new piece of music or arrangement for most events and of course if you are collaborating with someone you take into account the instrument and style they play e.g. Trowser and his sax, Cypress and his flutes, Trefies with his dulcimer, Miles with his fusion based keyboards etc.

The Solstice concerts have been very inspiring as have the Space Center events like Yuri’s Night which spawned “Floating with Yuri”; Silver Shimmers came about from the shimmers on the water at Alda Lair; Reflections of Indigo came from two art exhibitions – Indea Vaher and Gleman Jun. Others include Tibet Day and of course Relay for Life. Playing at the charity events are ALWAYS inspiring. That is the really positive side of SL.

For the past few years my RL inspiration was where I lived and the fields and nature that surrounded me. From the sound of the water babbling to the birds, the smell of honeysuckle and the beauty of the trees and flowers. The sight of the full moon to the sound of thunder. This was all reflected in the music I played in SL. I captured these musical moments into my computer. I might come back from a long walk, take a deep breath and play and programme the music I found. I like to think of it as painting and sketches with music. I use reflective piano and ambient synths tinged with echoes of world jazz and triphop.

Lowell: Which other SL performers do you enjoy the most?

JaNa: Torben Asp – A true bedroom electronica artist from Denmark whose venue Ethereal hosts the monthly E-fests. I got to hear him through Cypress Rosewood’s “When Worlds Collide” radio show

Tuna Oddfellow – unbelievable and indescribable visual show with very cool music streamed

Miles Eleventhauer – the jazzologist who I found one night whilst searching for “Jazz”. He plays a great mix from Queens New York

ZeroOne Paz – fellow logic user. I love his original music and covers played from his studio in San Francisco

Nuvolino Ruffino – excellent electronic trance artist from Australia

Formatting Helenoise – plays a wonderful esoteric mix of music to go with his very interesting photographs.

Leanna Luftig – love hearing her New Age music along with HappyCharles SideShow at the Goodbye Weekend Show

DJromex – plays GREAT trance in SL!

Swina Allen from Italy and the ambient Sunday music of cypress rosewood and hardhat Rickenbacker – the list goes on and on. Apologies for those I have missed

Lowell: What are your future plans with performance?

JaNa: I have recently changed computer timezones so am looking forward to resuming operations end of October. I am especially looking forward to continuing the GoodBye Weekend Show and “Behind the Monitor” – an interview show I tried earlier this year that was well received. Also plan on doing more poetry and music shows plus art/photographs with music. SL is the perfect platform for mixing visuals with music. However, more than anything I would really like to develop getting my music through SL into hospitals and hospices – it is such a wonderful platform for people who are disabled in one form or another. I have done several performances to benefit cancer patients and children with autism and really want to do more. Last Christmas we raised a good sum of money for UNICEF at the mAm peace park so the Music for Winter Festivals will be starting up again in November.

Lowell: For the newcomer to performing in SL, would you have any wise words to share?

JaNa: SL is a great platform to experiment and connect. It is a perfect parallel to the real world in terms of seeing yourself reflected in the virtual world. You can be performing to hundreds of people in a short period of time, you can learn from your mistakes and your successes and you can get immediate feedback. For new musicians it’s invaluable for planning a business model. I mean if no one comes to a show, why is that? Promotion is key. Posting to SL events and groups is time consuming but the results are very worthwhile – just like a real life gig.

Do your preparation, your promo, your sound check to make sure your stream is working. Be professional and get it all worked out before hand. There is nothing more annoying than hearing a performer blame the venue and SL about “lag” – go ahead of time to see what issues you may have to encounter and embrace the great opportunity the virtual world gives us and enjoy!! I host the “Goodbye Weekend Show” on Sunday night’s at the Music ALL Music Peace Park and have seen it grow from nothing to a packed SIM. It has helped me record three albums and develop Radio Jana. I wouldn’t have done that without Second Life.

Find out more about JaNa:

1. Calendar for dates and further info

2. Twitter

3. Pictures and event blogs

4. Buy the music – CD and downloads

If you’re a musician and would like to discuss your approach to virtual world performance, drop us a line.

The Drums Never Stop

A scientific expedition disembarks from its plane at the final outpost of civilization in the deepest Amazon rain forest.

They immediately notice the ceaseless thrumming of native drums. As they venture further into the bush, the drums never stop, day or night, for weeks. The lead scientist asks one of the natives about this, and the native’s only reply is “Drums good. Drums never stop. Very BAD if drums stop.”

The drumming continues, night and day, until one night, six weeks into the trip, when the jungle is suddenly silent. Immediately the natives run screaming from their huts, covering their ears.

The scientists grab one boy and demand “What is it? The drums have stopped!” The terror-stricken youth replies “Yes! Drums stop! VERY BAD!”

The scientists ask “Why? Why? What will happen?”

Wild-eyed, the boy responds, ” . . . BASS SOLO!!!”

More banjo jokes than you’ll ever need

What’s the difference between a banjo and a(n)…
Chain Saw:

a chain saw has a dynamic range.

you can turn a chain saw off.

South American Macaw: one is loud, obnoxious, and noisy; and the other is a bird.

Harley Davidson Motorcycle: you can tune a Harley.

Onion: no one cries when you cut up a banjo.

Trampoline: you take your shoes off to jump on a trampoline.

Uzi: an uzi only repeats forty times.
How many banjo players does it take to screw in a light bulb? Five; one to screw it in and four to:

complain that it’s electric.

lament about how much they miss the old one.

complain that Earl wouldn’t have done it thata-way.

argue about what year it was made.

argue about how much it costs.

ask what tuning she’s using.

stand around and watch.

10: one to do it & the other 9 to stand around & say, “I could have done it better.”

none: but hum a few bars and I’ll fake it.
How many bass players does it take to screw in a light bulb?

All of them are too layed back to bother to change it.

Six: One to change it and five to keep the banjo players from hogging the light.

How many light bulb joke tellers does it take to change a light bulb?
100: One to change it & 99 to make stupid jokes about it…

What did the banjo player get on his IQ (or SAT) test? Drool…

How can you tell if the stage is level? If the banjo player drools out of both sides of his mouth.

Why do some people take an instant aversion to banjo players? It saves time in the long run.

What’s the difference between a skunk run over on the road and a banjo player run over on the road?
You see skid marks in front of the skunk.

What’s the difference between a run over skunk [or frog] and a run over banjo player?
The skunk [frog] was on it’s way to a gig.

How many banjo players does it take to eat a opossum? Two, one to eat it & one to watch for cars.

How can you tell the difference between all the banjo songs? By their names…

What is the definition of perfect pitch? Throwing a banjo into a toilet without hitting the seat.

What do you call a good musician at a banjo contest? A visitor.
What are flaming guitars good for?

Lighting banjos on fire.

Kindling.

Why are banjos better than guitars?
They burn longer.

What’s the best thing to play on a banjo?
A flame-thrower.

What’s the difference between a fiddle & a violin?
Who cares?!? Neither of them is a banjo!

What’s the best thing to play on a guitar? Solitaire.

What do you call a guy that hangs around a bunch of musicians?
Banjo player/Comedian.

How can you tell if there’s a banjo player at your door?
They can’t find the key, the knocking speeds up, and they don’t know when to come in.

Why do bluegrass banjo pickers always die with their boots on? So they won’t stub their toes when they kick the bucket.

You’re lost in the desert and you see Bugs Bunny, a cactus, and a good banjo player. Who do you ask for directions? You might as well try the cactus, the other two are figments of your imagination.

Santa Claus, the tooth fairy, a good banjo player, and an old drunk are walking down the street together when they simultaneously spot a hundred dollar bill. Who gets it? The old drunk, of course, the other three are mythological creatures.

What is the banjo picker’s favorite whine? “Play Dueling Banjos…”

Why are all those banjo jokes so darned simple? That’s so bass players can understand them too…
Where do banjo players play best?

In traffic.

In a galaxy far, far away…

How do you keep a banjo player in suspense?…

What is the most important aspect of banjo playing?…timing…

How is playing the banjo a lot like throwing a javelin blindfolded?
You don’t have to be very good to get people’s attention.

What do you say to the banjo player in the three piece suit? “Will the defendant please rise.”
What do you get when you throw a banjo and an accordion off the Empire State Building?

Who Cares…

Applause.

What do you call twenty-five banjos up to their necks in sand [or concrete]? Not enough sand. [Almost done.]

What do you call one-hundred banjos at the bottom of the ocean? A good start.

What will you never say about a banjo player? That’s the banjo player’s Porsche.

How can you get a banjo player’s eyes to sparkle? Shine a light in her ears…

You can tune a banjo but how do you tuna fish? By adjusting it’s scales…

Why do so many fishermen own banjos? They make great anchors!

Why did the Boy Scout take up the banjo? They make good paddles.

Why did the banjo player leave his capo on the dashboard?
So he could park in the handicap zone.

Why did the banjo player cross the road?
It was the chicken’s day off.

What is the difference between a banjo player and a prune? Their color of course!

How can you tell a herd of banjo players from a bunch of grapes?
Jump up and down on them…If you get wine, you’ve got grapes!

I recently had surgery on my hand, and asked the doctor if, after surgery, I would be able to play the banjo. He said, “I’m doing surgery on your hand, not giving you a lobotomy.”

“Doctor, doctor will I be able to play the banjo after the operation?”
“Yes, of course…”
“Great! I never could before…”

What’s the best or fastest way to tune a banjo?
With wirecutters.

Which one of the following does not belong: Herpes, Measles, AIDS, Banjo Players?
Measles–you can get rid of the Measles.

What should you do if you run over a banjo?
Back up…

When do banjo songs sound the best?
When they’re over.

Why do fiddlers pick on banjo players?
Because they can’t pick on their fiddles.

Why does everyone pick on banjo players?
Because it’s so easy!!!

Well, maybe I should stop picking on banjo players…naaaaaah.

There’s not much between you and a fool is there?
“Just this here banjo…”

Does this kinder, gentler era have room for another generation of obnoxious banjo pickers telling dumb jokes and playing fast? Guess so…

Listener: Can you read music?
Banjo player: Not enough to hurt my playing.

A man walked into a bar with his alligator and asked the bartender, “Do you serve banjo players here?”
“Sure do,” replied the bartender.
“Good,” said the man.
“Give me a beer, and I’ll have a banjo picker for my ‘gator.”

A banjo player walked into a bar…another banjo player walked into the bar…you’d think the second banjo player would have seen what happened to the first banjo player and ducked! [Under the bar.]

The Pope and a banjo player find themselves together before the Pearly Gates. After a small quantum of time which was spent discussing their respective professions, Ol’ Saint Peter shows up to usher them to their new Heavenly station. After passing out wings, harps, halos, and such, Saint Pete decides to show them to their new lodgings. Only a brief flight from the welcome, Pete brings them down on the front lawn (cloud-encrusted, natch) of a huge palatial estate with all sorts of lavish trappings. This, Pete announces, is where the banjo player will be spending eternity, (at least until the end of time…) “Hot Dang,” the Pope says to His-Self, “If he’s getting a place like this, I can hardly wait to see my digs!” They take flight once again, and as Pete leads on, the landscape below begins to appear more and more mundane until they finally land on a street lined with Brownstone houses. Pete indicates the third walkup on the left as the Pope’s new domicile and turns to leave, wishing the Pontiff his best. The Pope, in a mild state of astonishment, cries out “Hey Pete! What’s the deal here? You put that banjo player-feller in a beautiful estate home and I, spiritual leader of terra-firma, end up with this dive?”
Pete looks at the pontiff amusedly and replies: “Look here old fellow, this street is practically encrusted with spiritual leaders from many times and religions. We’re putting you here with them so you guys can get your dogma together. That other guy gets an estate, because he’s the first (non)damned banjo player to make it up here!!”

Saint Peter, wanting the new arrivals to feel at home, promised to spend some quality time with each one. He asked his first arrival of the day, “Hi! What’s your IQ?”
“150,” he said.
“Great,” said Peter, as he showed the man in, “we should get together tomorrow and discuss the Theory of Relativity for a while.” He asked the next person, “What’s your IQ?”
“120,” she said.
“Fine, fine,” said Peter, “I’d love to take some time with you Wednesday to discuss current world politics.” To the third person, he asked, “What’s your IQ?”
“42,” drawled the fellow.
“Fantastic!” cried Peter, “I’ve been looking for years for somebody who could help me perform a banjo duet!”

A banjo player goes to his class reunion and meets up with the smartest kid in his class, “Hi, how are you doing? What have you been up to?” he says. “I’m doing experimental brain research at the Salk Institute,” replies the smart kid. Then, our hero sees another classmate of his, who never was very smart. He walks over to him and says, “Elroy! How are you doing? I’ve been meaning to ask you, What kind of picks are you using these days? Heard any good banjo jokes lately…”

Strummin on the ole…
An old man was on his death bed and called his whole family together so that he could bid them farewell and make his peace with the world. After he said what he wanted to each in turn and he knew he was coming very close to death he called for all to gather together.
“I have one thing I would like to confess before I go,” he said. They all drew closer. “It was me,” cough, wheeze, “I was the one,” he said as they leaned down as close as they could to hear what he could barely get out in a whisper. Gasp, cough, “I was the one,” cough, wheeze, “in the kitchen with Dinah…”

A man went to a brain store to get some brain for dinner. He sees a sign remarking on the quality of brain offered at this particular brain store. So he asks the butcher: “How much for fiddle player brain?”
“2 dollars an ounce.”
“How much for mandolin player brain?”
“3 dollars an ounce.”
“How much for guitar player brain?”
“4 dollars an ounce.”
“How much for banjo player brain?”
“100 dollars an ounce.”
“Why is banjo player brain so much more?”
“Do you know how many banjo players you need to kill to get one ounce of brain?”

At a convention of biological scientists one researcher remarks to another, “Did you know that in our lab we have switched from mice to banjo players for our experiments?”
“Really?” the other replied, “Why did you switch?”
“Well, for several reasons. we found that banjo players are far more plentiful; the lab assistants don’t get so attached to them; the Animal Rights Activists leave us alone; and there are some things even a rat won’t do… However, sometimes it is very hard to extrapolate our test results to human beings.”

For three years, the young banjo player had been taking his brief vacations at this country inn. The last time he’d finally managed an affair with the innkeeper’s daughter. Looking forward to an exciting few days, he dragged his suitcase up the stairs of the inn, and stopped short. There sat his lover with an infant on her lap!
“Helen, why didn’t you write when you learned you were pregnant?” he cried. “I would have rushed up here, we could have gotten married, and the baby would have my name!”
“Well,” she said, “when my folks found out about my condition, we sat up all night talkin’ and talkin’ and decided it would be better to have a bastard in the family than a banjo player.”

Banjo players spend half their lives tuning and the other half playing out of tune.

Banjo pickers: we tune because we care…

“I bought mine tuned.”

Banjo players play requests by multiple-choice not fill-in-the-blank.

“You can pick your banjo and you can pick your nose but you can’t wipe your banjo on your pants.”

“Anyone can play one of them things-all you need is three fingers and a plastic head”

The sixth fret on a banjo is a lot like the thirteenth floor on a building-you don’t really need one.

Banjo players are a lot like sharks–they think they have to keep playing or they’ll sink…

“Banjos are to music as Spam is to food…”

“He can’t hear you, he’s playing his banjo–his brain is disconnected…”

Play Bluegrass Lite! One third Fewer Notes! Less Picking! Sounds Great!

“Second verse same as the first
A little bit faster and a little bit worse…”

Banjo rap:
Them Banjo Pickers by Mason Williams
How ’bout them banjo pickers ain’t they fine
Same damn song for three or four times.
Them banjo pickers all they know
Is Cumberland Gap and doe-see-doe.
Them banjo pickers talking ’bout strings
Banjo pegs and other such things.
Them banjo pickers, them poker faced mugs
They never do smile, they just play Scruggs.
You want to be a banjo picker you don’t need a ticket
Just get yourself a banjo rare back and pick it…

“The banjo is such a happy instrument–you can’t play a sad song on the banjo it always comes out so cheerful.
Doom, dispair, & agony on high…see you just can’t do it.” –Steve Martin

If you practice, tune, make a sound check, & sit down to play it’s Folk music otherwise it’s Bluegrass.

“Some people call this next song Cripple Creek–but they’re wrong!”

I used to play banjo on tv but my mom said get off or I’d break it!

After you’ve played the banjo long enough people will pay you to play; however, your neighbors will pay you to stop.

“You can either laugh a little faster or I can tell the jokes a little slower…”

“The only thing worse than telling banjo jokes is laughing at them!”

How many strings does a banjo have?
Five too many…

Why do they bury banjo players 20 feet deep?
Because they really are good people deep down…

“Frets are like speed bumps on a banjo…”

No matter how much you tune it–it will still sound like a banjo!

What’s the difference between a banjo player & a locksmith?
A locksmith gets paid to change keys.

“Have you hugged your banjo today?”

How do you get two banjo players to play in unison? Shoot one.

Why do banjo players prefer picking rather than strumming? It’s easier to transfer a skill than learn a new one.

A few years ago a lost group of banjo players were discovered on a remote island in the Pacific. When asked how they survived for so long, they answered, “from the supplies dropped by the helicopters…”

“Banjos! We don’t need no stinkin’ banjos!”

How do you make a banjo player slow down?
Put some sheet music in front of him.

How do you make him stop? Put notes on it!

“What instrument do banjo players play best?”

What’s the difference between a banjo player and a savings bond? A savings bond eventually matures and earns money.

That banjo player is no stranger to these parts–no stranger here than anywhere else at least…

A banjo player is sorta like an appendix: They can both be a big pain sometimes; you don’t miss them when they’re gone; & no one’s figured out what good they are…

What’s the difference between a good banjo player and Bigfoot? There have been sightings of Bigfoot.

What’s the difference between a banjo and a lollipop? When you lick a lollipop it disappears but when you play licks on a banjo it’s still there!

What is the loudest noise on the beach? A banjo player and a sea gull fighting over a fish.
What is the difference between a terrorist and a banjo player?

You can reason with a terrorist.

Terrorists have sympathizers.

A man decides to take a short vacation from his job and travel somewhere exotic. So, he books a trip to a small, essentially untouched Pacific island where the native culture is still intact. He has great expectations (no, not the novel by Dickens) for his trip, as he really needs the time off.
So, he sets sail on his chartered ship to the island paradise. As the boat is approaching the island, he notices the sound of drums. “How quaint,” he thinks, “the natives are engaging in an ancient ritual with drums.” He arrives at the island and gets something to eat. All this time, the drums are going. Well, after a few hours, he begins to wonder when the drums are going to stop. So, he asks a native why the drums are going on so long. The native runs away screaming with a terrified look on his face.
Thinking he has probably disturbed the sanctity of the native ritual by asking an intrusive question, the man decides to just forget about the drums and enjoy his vacation. But, after another two days of continuous drums, it’s really beginning to bother him. So, he asks another native, “When are the drums going to stop?” The native just looks at him. So, he asks, “Why are the drums going on so long?” This native, like the first one, runs away screaming.
So, after another two days, the man has had it with drums. He grabs the first native he sees by the neck & demands that he make the drums stop. The native replies “I would rather die than be the one who stops the drums.” The man asks him why. Slowly, the native answers…”Because when the drums are over, the banjo solo starts!”

Special book set: Buy “How to Play the Banjo” get
“How to Regain your Family’s Love” free!

What’s the difference between a banjo and a flute?
Flutes don’t burn!

What’s the difference between a banjo player and a lawyer? You don’t want to run over a lawyer! [You’ll get sued!]

What’s this: x x x ?
Three banjo players co-signing a loan…

Did you hear about the bass player who locked his keys in the car? Took him three hours to get the banjo player out…

From the autobiography Preston Sturges on Preston Sturges:
Mother took a rotten little apartment for us on Twelfth Street, the only banal apartment I have ever known her to take, and one afternoon I arrived home with a big smile on my face and a peculiarly shaped package under my arm.
“What’s that?” asked my mother looking at the package apprehensively. Then in a pale gray voice, she added, “That wouldn’t happen to be a banjo by some remote chance, would it?”
“How did you guess?” I cried enthusiastically. “Just wait till you see it!
The pawnbroker practically gave it to me for only three dollars, including the case, and it has real mother-of-pearl between the frets and around the scroll!”
“It’s a curse,” said my mother, putting her hand to her forehead, “a taint.”
“A what?” I asked, thinking I had misunderstood her.
“A pollution of the blood,” said my mother, “like leprosy. It has to be from the blood, there is no other possible explanation. With the utmost care and during your entire life, I have refrained from giving you even a hint about this vice of your father’s.
“I never let your Grandmother Biden or anyone else mention it to you for fear that it might awaken a dormant strain and encourage you to emulate him. But it has all been in vain. You may as well know now. Your father was considered, in banjo circles, to be one of the very best banjo players in America. Such was his talent that manufacturers would actually send him new models for nothing, just to get his opinion and endorsement of them.
“Your father always enjoyed playing a piece on the banjo for me, always a long one, and at the beginning of our marriage, I could stand it. Then as time passed, he was no longer satisfied with just plunking out a piece once, but immediately after finishing it, he would plunk it again in several different keys.
“Then I would get it with variations and countermelodies woven in…but still the same piece. He would wind up by plunking it behind his back in a sort of contortionist’s grip. One night he actually gave the finale while swinging by his knees from a trapeze he had strung up between the sliding doors.
“If any more loathsome instrument than the five-string banjo has ever been invented during the entire history of music, I have yet to hear of it. I thought I had suffered from that miserable thing for the last time in my life, but you can’t get away from heredity! So tune up your banjo, then go down to the corner and get me some poison.”

“Will pick for food.” –Grateful Dudes Bluegrass Band

You know why I wear my banjo strap around my shoulder? Because I don’t want it around my neck…

What is the difference between a newly graduated banjo player’s résumé, all the banjo songs, and a can of Alpo dog food? The can of Alpo has content.

What’s the difference between a banjo and a lawnmower?
You can tune a lawnmower.

What is the difference between grapes and a banjo?
You take off your shoes to stomp on grapes.

What is the difference between a banjo and a chainsaw? The grip.

What do banjo players use for birth control?
Their personality.

How is lightning like a banjo player’s fingers?
Neither one strikes in the same place twice.

“There’s nothing I like better than the sound of a banjo, unless it’s the sound of a chicken caught in a vacuum cleaner…”
“Any requests?”
“How about ‘Softly, as I leave you’?”
“What key?”
“You won’t need a key–just ring the doorbell when you get back from the pawn shop.”
“Don’t your vocal chords hurt when you sing like that? They’re killing me!”
“You’re just jealous because show biz is in my blood.”
“Right now I’m just concerned that when I smash that banjo over your head, we won’t be able to get the show biz stains out of the rug.” –The Fusco Brothers

You can play all the banjo songs backwards and they’ll still sound the same!

“Banjo picker wanted: music knowledge not required.”

You’re driving down the street and you see an accordion and a banjo–which one do you hit first?
The accordion: business before pleasure.

How is playing the banjo like peeing in a dark suit? It gives you a warm feeling but no one notices and no one really cares.

Top five reasons to be a banjo player: (1.) It’s obnoxious; (2.) It’s loud; (3.) It’s fun; (4.) All those Banjokes; (5.) The cool “banjo players walk” hunched over from carrying that heavy thing around on one shoulder all day…

“Scruggs is OK, but he hasn’t any social conscience.” –Sing Out!, 1962.

How many Banjokes are there?
Only three the rest are true stories…

How do you keep a banjo player from drowning in a foot of water? Take your foot off his head.

Banjo players never get out of line just out of tune…

Mark Twian’s definition of a gentleman: a man that can play the banjo and don’t.

Know any banjo jokes? Just me…

What’s the difference between a banjo player and a puppy? If you ignore a puppy long enough it will stop whining…

Why did the chicken cross the road? She was showing the opossum & the banjo player the way. [58]

How can you tell if a banjo player is well hung? If you can put two fingers between his neck & the rope…

Upon hearing from his doctor that he only had six months to live, a man exclaimed, “But doctor, is there anything I can do?”
“I’m afraid not.” said the doctor. “But, there is one thing you could try…”
“What, what, I’ll try anything…”
“Find yourself a homely girl that plays the banjo and move to Pittsburgh.”
“Will that help me live longer?”
“No, but it will make time go by really slowly…”

I didn’t know you could tune one of those things? Only if you’re sharp…if you’re flat you’ve been playing in the street too long…

What’s the difference between a banjo and a helicopter?
You can tune a helicopter.

What’s difference between a banjo and a fish?
You can tuna fish…

Saint Peter is interviewing newly arrived musicians at the Pearly Gates. He asked the first musician, “So, what did you do?”
“I was first violin with the London Phil Harmonic,” stated the first musician.
“Fine, you may enter,” said Saint Peter. He then asked the second guy, “What did you do?”
“I was a school band leader,” said the second guy.
“Great, you may also enter,” replied Saint Peter. Finally, Saint Peter asked the third guy, “So, what did you do with your life?”
“Well,” replied the third guy, “I really wasn’t a great musician–I played casual banjo in a bluegrass band. We mostly played for Barbecues, Barmitzas, and the like…”
“Oh,” replied Saint Peter, “Oh, all right, but go around the back, OK…”

How can you tell when the banjo player is joking? His lips are moving…

If you took all the banjo players in the country and laid them end to end…we’d be a lot better off!

Why don’t banjo players get any mail? Because they can’t read notes!

What’s the difference between a banjo and an accordion? The accordion takes longer to burn…

“This machine surrounds hate and forces it to surrender…” –Pete Seeger

These days, having a banjo & fifty cents will only get you a cup of coffee–to go!

I don’t have to take it [a break] it’s in my banjo players contract…

Bluegrass Police have been known to give Banjo Speeding Tickets at Bluegrass Clubs and festivals…

Why was the banjo player staring at the Orange Juice? Because the label said, “Concentrate.”

Why was the banjo player standing on the roof? Because they told him the drinks were on the house.
–Karen Cox

Foggy Mountain Breakdown is to banjo music as ________ is to food. Chicken as in, “it tastes just like chicken…” and “it’s just like Foggy Mountain Breakdown but instead of the Em…”

A Rabbi and a banjo player are traveling through the country with their friend from India when their car gets stuck in a ditch. Stranded, they walk to the nearest farmhouse and knock on the door. A farmer and his beautiful daughter answer the door. The farmer says he’ll be glad to put ’em up for the night and they can go for help in the morning. However, there is only room for two in the house, one of them will have to sleep in the barn.
The Rabbi volunteers and goes off to the barn. A few minutes later, there is a knock at the door, it’s the Rabbi, “I cannot sleep with pig, it’s sacrilege.”
Then the Hindu volunteers to sleep with the pig and goes off to the barn. A few minutes later, there is another knock on the door, “I cannot sleep with cow, sacrilege.”
So, now the banjo player takes his banjo and goes off to sleep in the barn. A few minutes later, there is a knock on the door–it’s the cow and the pig!!!

Rick: Uh, how many banjos do you own, anyway?
Pete: One too many.
Rick: How many is that, Pete?
Pete Seeger: Two.

Why are Vogon’s so mean? They’re just hacked off ‘cuz you can’t fret a banjo with tentacles. That’s the real reason they invented Vogon Poetry. [Vogon’s are the aliens that destroy Earth in the sci-fi classic, The Hitchhiker’s Guide to the Galaxy. Their poetry is another form of torture.]

Banjos are to music what Etch-a-Sketch is to art.

Air Earl: Earl Scruggs is an avid aviator. That’s where Groundspeed came from, as opposed to “airspeed.” I hear Boeing is coming out with an Earl Scruggs model with the tail piece missing cause “that’s the way Earl did it…”

If your car is sliding out of control, and you have the choice of running over a banjo player or an accordion player, which one should you choose? Either one. You can always get the other on the second pass

How can a banjo player make money?
Hang out your “Pay or I Play!” sign.

“The 5-string banjo is a noble and mellifluous creation; it comes in a variety of shapes and styles, is played in a variety of different ways, and has almost entirely replaced the harp as the chosen instrument of the angels.”

A banjo player went running up to a cop and said, “Arrest that kid, he just changed one of my tuning pegs.” Cop said, “Oh, come on, you can fix that.” Banjo player says, “Maybe, but he won’t tell me which one!”

What’s the definition of a minor second?
Two banjo player’s playing the same note!

Nekkid as a Jaybird
Nekkid as a Jaybird,
Flyin’ through the winter snow.
Didn’t have a stitch on,
So he hung that banjo low.
The blue Kentucky moon,
Turned his moons a blue-ish glow.
And made everybody grateful,
The feller didn’t play dobro.

Driving down a long lonesome highway through the dessert on his way West, a weary traveler sees a lone female hitchhiking by the side of the road and slows to a stop to pick her up. She smiles, grabs her banjo, jumps in, and they’re off. Then all of a sudden she yells, “Stop the car!” He slows the car to a halt under the shade of a big tree she jumps out of the car grabs her banjo, climbs up in the tree, throws off all her clothes, and starts playing the Star Spangled Banner. Have you heard this one before? No!?! What! You never heard our National Anthem before?!?

How do you get the banjo player out of the tree? Cut the rope.

A Russian, a Cuban, and two Americans, (a guitar player and a banjo player) were sharing a compartment on a train. The Russian in an attempt to impress the other passengers says, “In Russia we have so much vodka that we can afford to throw it away.” He then throws a bottle of fine Russian vodka out the window. In a spirit of one-upmanship, the Cuban replies, “In Cuba, we have so many fine cigars that we can simply throw them away.” And the Cuban proceeds to throw a box of the finest Cuban cigars out the window. Not to be outdone, the guitar player says nothing, he just stands up and throws the banjo player out of the window…

A banjo player and a guitar player both fall at the same time from a balcony in the top of a skyscraper. Which one hit the ground first? The guitar player-the banjo player will have to stop and retune at least once on the way down.

What’s the difference between a banjo player and a bucket of manure? The bucket.

Why don’t banjo players get to take breaks between sets? It takes them too long to retune.

There once was a picker named Bruno
Who said, “There’s one thing I do know
Guitars are fine
And mandolins divine
But banjos are numero uno!”

Why don’t banjo pickers like to go to the beach? Because cats keep trying to bury them.

What do banjo players and bottles of beer have in common? They’re both empty from the neck up.

Sign on a street near a bluegrass festival: “Drive Safely–Don’t kill a child.” To which someone added, “Wait for a banjo player!”

“Like the banjo itself, whose twang can clear clogged sinuses and remove stubborn wallpaper, the mountain music is an acquired taste.” –Smithsonian

What does a sperm and a banjo player have in common? They both have one chance in about a million of becoming a human being.

How is banjo playing like a courtroom trial? Everyone is relieved when the case is finally closed!

Why was the banjo player walking his kids to school everyday? Because they’re in the same grade.

A bluegrass band is on their way back from a gig South of the border when they get arrested for playing a banjo after dark. The judge quickly sentences them to death. At dawn the next morning the band finds themselves looking at the business end of a firing squad. “Ready, Aim,…”
“Earthquake!” yells the guitar player which distracts the guards long enough so he can jump over the wall to freedom.
“Ready, Aim,…”
“Flood!” yells the mandolin player who jumps over the wall to freedom.
Now the banjo player is starting to catch on.
“Ready, Aim,…”
“Fire!” yells the banjo player as loud as he can…

Banjo Tuning is an oxymoron…

How can you make a million bucks as a banjo player? Start with two million!

Why do they let banjo players play in pizza parlors?
Because pizza is the only food that you can taste over the noise.

“Lawyers are bigger jokes than banjos!”

A bluegrass band arrives early for their concert. The banjo player jumps right up on the stage and begins his tuning ritual. Ever so carefully he adjusts his tuning pegs to the flashing lights on his high-tech “TV set” digital electronic tuner that he has his banjo plugged in to. An hour later, he takes a five minute break when the pizza arrives, quickly returning to his banjo to continue tuning.
A passing stage hand asks the banjo player, “How come you spend so much time tuning? The last band that played here showed up five minutes before the show, tuned up, and started playing. Why do you spend so much time with that high tech tuner?”
“Well,” says the banjo player, “I guess some people just don’t care…”

A beautiful maiden is talking a stroll around the castle when she hears, “Hey! Down here!” Looking around, she sees a small frog down by the moat and picks it up. “Hi-I’m really a banjo player but an evil witch has put a spell on me and turned me into a frog. If you would kiss me I can return to my norml self and we can live happily ever after…” The beautiful maiden smiles and puts the frog in her purse. “Hey! Aren’t you going to kiss me?” shouts the frog. “No way-a talking frog is worth a lot more than a banjo player!”

How do you define an optimist?
A banjo player with a beeper!

Bumper Sticker: On the eighth day, Bono created Banjos!

Sign in store window: “Banjo For Sale-cheap, no strings attached…”

Always remember that the Banjo Player is the Fiddle Player’s best friend; without him the fiddle would be the most hated instrument on Earth…

What’s the difference between a banjo and a lawnmower? Your wife gets upset when the neighbors borrow the lawnmower and don’t return it.

How do you make a chain saw sound like a banjo? Turn it on.

The difference between a banjo and a Banjo:
A banjo is a round thing with a neck and an even number of strings that some guy on a stool (or worse) plays with a little bitty ol pick and cranks out tunes like “Wait Till the Sun Shines Nellie” and “Alabammy Bound” and “Good Bye my Coney Island Baby” on; and it’s related to a Banjo in about the same way that Crazy Otto is related to Scott Joplin.
A Banjo has an odd number of strings, and a wooden thing on the back to keep the sound from getting out too much, and typically comes with an attachment named something like “Ralph” or “J.D.” or “Earl” that makes the noises come out. An unbiased ear can always tell a Banjo from a banjo just by listening; and if a song’s got a Banjo in it, by gum it’s Bluegrass…

The only difference between a banjo and cocaine is that you can’t fit a banjo up your nose.

How many bluegrass musicians does it take to screw in a light bulb? It doesn’t matter as long as everyone gets a turn!

“I don’t like her–she makes me feel stupid!”
“The banjo player in Deliverance makes you feel stupid…” –Herman’s Head.

What is the range of a banjo? About 10 meters if you throw it hard enough.

A lady calls the home of her favorite bluegrass band and asks if the banjo player is going to play with them at the concert tonight. “I’m sorry lady the banjo player was killed in a car crash late last night,” the mandolin player reports. However, every night she would call and every night she would get the same answer. Finally, the mandolin player says, “What do you want?!? You keep calling and bothering us every night–I told you the banjo player is DEAD!”
“I know you’re banjo player died,” she says, “I just love to hear you say those words…” A soft cackling laugh was heard off in the distance before she hung up the phone…

A bluegrass band convicted of International terrorism and condemned to die in a small Third World country is given one last request. The banjo player, without thinking, shouts out, “If I must die for my country, my last request is to play FMB one last time!” The mandolin player shouts, “then my last request is that you kill me first…”

Definition of mixed emotions: your banjo player riding over a cliff on your brand new Harley…
–Garrison the mandolin player from Picket Line.

Do you know why the Post Office had to stop producing their new commemorative Banjo Player Stamps?
Because people didn’t know which side to spit on…
Bumper Sticker: “Old Banjo Players don’t die; they just…

…stop fretting.

…stop resonating.

…get unstrung.

…get restrung.

…get picked on.

…take a break.

…tune out.

…cross the bridge, start fretting, & become nutty.” –Thanks Antoinette!

A drowning man sees an out-of-tune banjo player, an in-tune banjo player, and Santa Claus walking by on the shore, who should he yell to for help? The out of tune banjo player of course-the others are figments of his imagination…
[See also #38 & #39.]

Why is the banjo the most important instrument in a bluegrass band?
(a.) Every band needs someone to make fun of.
(b.) Every jam session needs someone to drown out the inevitable walk-up guitar player who can’t pick worth a dang.
(c.) Without a banjo, a bluegrass band becomes just another collection of individuals looking for the meaning of life…
–Steve Spurgin, bass player with California.

“Don’t shoot me–I’m only the banjo player…”

A banjo player, an accordion player, and a politician jump off the Eifel Tower, who gets saved first? We all do!

“Can I play my banjo now?!?” Shutup!!!

I wrote a song, but I can’t read music so I don’t know what it is. Every once in a while I’ll be listening to the radio and I say, “I think I might have written that.”

How can you break a banjo players fingers? Punch him in the nose [while he’s picking…]

How many banjo players does it take to change a light bulb? Only one–he thinks the world revolves around him…

“Keep pickin’ that & it’ll never heal.” [bgrass-l]

“A man who plays the banjo has got it made–it never interferes with any of his pleasures in life.” –Stringbean

What’s the first thing you know?
That Jed’s a millionaire!

A banjo player was so poor he couldn’t afford lessons so his friends chipped in and got him banjo lessons for his birthday. They sent the greatest banjo teacher that every lived to his house. The teacher knocked on the door and the guy answered. “I’m here to give you Super Playing Abilities!” Said the banjo teach. “I’ll take the soup, I haven’t had dinner yet…” said the banjo player… [Soup or Playing abilities…]

Three surgeons were discussing their favorite types of patients. The first said she enjoyed operating on Italians. Why? Because of all the olive oil they consume, their internal parts are well lubricated and nothing sticks to other parts. The second said he preferred working on Germans. Why? Because they are extremely organized and neat people. All their innards are logically laid out and labeled, like a medical textbook, making the surgeon’s job that much easier. The third said that while she liked operating on Italians and Germans, Banjo players were her favorite. Why? Because they have only two parts, a mouth and an anus, and they’re completely interchangeable. [Was a lawyer joke.] Disclaimer: not meant to offend Italians or Germans.

How many bass players does it take to screw in a light bulb? 1…4…5……1…4…5……1…4…5…

Our hero was walking around Ventura and after he had an In-and-Out burger, he happened upon a little antique shop, so he went in and took a look around. Way up on a high shelf he saw a little brass mouse figurine, and he really liked it. He asked the owner how much it was, and the guy said, “It’s $50 for the mouse, and $100 for the story that goes with it.” Well, our hero didn’t care about any old story, he just liked the little brass mouse, so he paid the guy $50 and walked out with the mouse in a brown paper bag. As he was walking home, he noticed the figurine was hollow with two little holes. Holding it up to his mouth, it made a melodious whistle. No sooner that he started, he was being followed by three little mice. When he stopped, they stopped. When he turned left, they turned left, et cetera. “Whoa, this is creeping me out,” he thought. As he walked, the mice were joined by more mice, until our hero looked like the Pied Piper. He started to run, and he wound up on a pier over the Pacific Ocean [he’s in Ventura, remember?] All the mice in town are right behind him. He is so freaked out that he throws the bag with the brass mouse into the water, and all the little mice jump after it, fall into the ocean, and drown. “Man, this is weird!” he says. He goes back to the antique store, and the owner doesn’t seem surprised to see him. “Ahhh, you’ve come back to hear the story!” he says to our dilapidated hero. “No, man,” says he, “I was just wondering if you have any little brass banjo players?”

Old Lad by Hal Koons, American Banjo Fraternity
If you never tune the pool old thing
Nor ever change a worn out string
If your jaw is slack and head is too
There’s only one thing for you to do.
Hang your banjo on the kitchen wall
Nail it tight so it will never fall
Yank off your shoes and hoist your sox
Flop down in front of the idiot box.
Join all the millions of other boobs
Whose eyes are glued to the TV tubes
Stick there until your natural hue
Turns from pretty pink to sickly blue.
The banjo is not for you, old lad
With you it’s merely a passing fad
Far better for you to haunt the telly
Than squeeze a banjo against your belly!

A banjo player was sitting with a bunch of friends in a bar in the Bronx one night back there in the twenties, when someone came around taking up a collection to pay the funeral expenses of an impoverished accordionist. [This was necessary because ripsnorting funerals are the most important events in the lives of us Irish, if the preposition “in” is acceptable when applied to the star of the occasion.] The banjo player didn’t happen to hear what the collection was about, and when the cigar box came around to him, he asked the man next to him what it was for. “Oh, they want a dollar to bury a box-player,” he was told. The banjo player dug a bill out of his pocket. “Here’s two dollars,” he said, “bury two of them.”

Don’t tell my mom I’m a banjo player.
She thinks I’m a piano player in a whorehouse.

How can you get six banjo players to play in harmony?
Only give one of them a banjo!
What do you get when you cross a chicken and a banjo player?

a chicken that can pluck itself.

a banjo omelet.

finger pickin good.

a chicken that delivers itself in a Dominoes pizza delivery uniform.

a joke that won’t fly.

What does the banjo player says when he gets to his gig? Would you like fries with that sir?

How are banjo players and bowling balls alike?
They both end up in the gutter eventually…

What’s worse than a banjo player? Two banjo players.
What’s worse than two banjo players? nothing.

What has 16 legs & 3 teeth ?
The front row of a banjo workshop.

Never try to teach a pig to play the banjo–it’s a waste of time and it annoys the pig. A pig is too smart to waste his time that way anyway.

Why do banjo players like family reunions?
It’s a great place to pick up girls…

“When I grow up I want to be a banjo player” says little Johnny. “I’m sorry dear,” says his mother, “you’ll have to make up your mind. You can’t have both–you can either grow up or be a banjo player…”

Life is like a banjo–what you get out of it depends on how you play it.

Man walk into a bar: “Hey bartender I got a new banjo joke for you!” “See that black belt on the wall kid? That’s mine, I’m a banjo player and I ain’t got much sense of humor. See that guy over at the table? He’s my cousin. He’s a banjo player and he ain’t got much sense of humor. And this here is Bubba.” The man looks over at the large, tatooed figure on the bar stool in a black leather Hell’s Angel’s jacket. “Bubba’s a banjo player too and he doesn’t take kindly to criticism. Are you sure you want to tell your banjo joke in here?” “Well not if I’m gonna have to explain it three times!!!”

A guy walks into a bar, and goes up to the bartender and says “Hey, I just heard the funniest banjo joke, want to hear it?” Bartender: [Pointing at the wall behind the bar] “You see that Black Belt? Well, that’s mine for karate, and I play the banjo. [Pointing to the end of the bar.] You see that burly guy in the tank top with all those muscles? Well, that’s my brother, and he plays the banjo. [Pointing to a table.] You see that Hell’s Angel over there with all the black leather and the spiked collar? Well, that’s my cousin and he plays the banjo. Now, do you still want to tell a banjo player joke in here?” Guy: “Hell, no, not if I have to explain it three times.”

What does the banjo player mutter to himself in between tunes? “Thumb, index, middle…”

Did you hear that they’ve isolated the gene for banjo playing? It’s the first step to a cure!

A government agency developed a new computer system that supposedly could carry on an appropriate conversation with a human based on the human’s IQ. To test it out, they brought in several folks with varied IQs. The first had an IQ of 180. The computer began discussing the theory of relativity, the Big Bang, & various other things of that sort. The human turned out to be a rocket scientist. The next person had an IQ of 150. The computer talked with her about the UN, Bosnia, the current political situation in the Middle East, et cetera. She turned out to be a political scientist. The next fellow had an IQ of 50. The computer said, “Hey, what kind of banjo strings do you use?”

A banjo player wins the lottery: “Will all this newly acquired wealth change your life in any way?” “Nope, I’m gonna keep playing gigs until the money runs out…”

Million dollar guarantee: you give us a million dollars and we’ll play any song, guaranteed.

What’s the difference between a banjo player and a foot massager? A foot massager generally bucks up the feat…

How does Dan Quail spell banjo: “ban-joe” just like pota-toe!

Three high rise construction workers are eating lunch, one of which is a closet banjo player, of course. “If I get a bologna sandwich in my lunch again tomorrow, I’m gonna jump!” they each exclaim one after another as they open up their lunch pails sitting on a steel girder high atop the half finished building. The next day, one by one each opens their lunch. Sure enough the banjo player has another bologna sandwich & jumps. “Wow! I really feel sorry for the poor guy…” “Don’t feel sorry for him, he makes his own lunch!” The two shrug & eat his lunch too as a crowd gathers down below…

“I learned this song for my wife. She knows I have two loves [her & my banjo]. She made me give up my truck. She got tired of riding in the back when it rains. Banjos rust, you know!”

Guy goes through customs with a banjo case. The inspector nervously asks the man to set the case on the table. Sweating, the inspector uses a long stick to slowly open the case. He sighs a sign of relieve when the contents reveal a machine gun and miscellaneous explosives. “Pass! For a minute there, I thought you had a banjo…”

“If you enjoyed our concert, please drive carefully on your way home, we need all the fans we can get. If you didn’t, who are we to tell you how to drive?!?”

How do you improve the aerodynamics of a banjo player’s car? Remove the Domino’s Pizza sign from the roof.

Hear about the Banjo Sweepstakes? First prize is a week at Banjo Camp. Second prize is two weeks at Banjo Camp!

banjo player: “When I die, I want to leave the world a better place.”
guitar player: “Don’t worry, you will.”

Von Johin’s public relations bid for ‘stardom’

Today we received a breathless press release announcing a ‘world first’. The release in full then some commentary afterward:

PRESS RELEASE
Virtual Reality Becomes Reality for Second Life Musician

Foresthill, CA – For the first time in history, a virtual avatar has received a real worldwide recording contract. Second Life (SL) blues musician Von Johin has been signed to an artist contract with California based Reality Entertainment, Warren Croyle, CEO of Reality Entertainment, announced today. “Never before has a virtual character been signed to a worldwide recording contract. Von Johin is legendary in the virtual community Second Life for his heart pounding live shows,” says Croyle. Second Life resident Pud Puchkina, who in real life is director of operations for the east coast division of Reality Entertainment and Second Life resident Kateyes Wingtips, the virtual representative for Reality Entertainment have been scouting the growing number of live performers in SL for several months and handling the daunting task of choosing the Avatar that fits the ethos of Reality Entertainment – a multimedia, virtual music label, book publisher and film company. Puchkina stated, “It was a hard decision, but Von Johin is the real deal, he is original and plays from his heart. Just the man and his guitar, with just these two instruments and a virtual appeal like no other, he brings crowds to their feet daily.” Reality Entertainment plans to release Von Johin’s debut album exclusively on iTunes and then to all digital download outlets worldwide.

About Reality Entertainment:

www.reality-entertainment.com

Reality Entertainment (RE) is a diverse multimedia company that specializes in music, books and film. Known for #1 musical acts such as Marcy Playground and KC and the Sunshine Band, RE also is known for #1 best selling books on Amazon.com as well as nationally successful films such as The Extraordinary Voyages of Jules Verne.

About Von Johin:

Blues musician, guitarist and vocalist, Von Johin hails from Nashville, TN and grew up playing juke joints across the Midwest. An ardent follower of the blues greats, Von Johin delivers his powerful shows every week in the clubs and dance halls of Second Life. Once you hear Von Johin you never forget him because he is a unique performer who resonates deeply with his audience providing compelling and hypnotizing performances.

About Second Life:

http://secondlife.com

Second Life is a 3-D virtual world created by its Residents. Each Resident participates in a virtual environment via their “Avatar” or second life persona. Since opening to the public in 2003, it has experienced explosive growth and today is inhabited by millions of residents from around the globe. Recently, live performances have become a viral phenomenon in Second Life with real life musicians performing to audiences within the SL global community.

Ok – there are two obvious flaws with the press release. First, there’s absolutely no way of verifying that this is the first avatar to have music ‘published’ worldwide. Second, any individual can now publish their music worldwide on iTunes using services like TuneCore for the princely sum of US $9.99 per year.

Expecting hyperbole from PR people is par for course, but this is an outright case of trying to get the lead spot in a race where the race already over. Applying 20th century concepts (worldwide recording contract) to the metaverse is bordering on farcical. It’ll be fascinating to see if the mainstream media pick this release up.

All that said, no comment is made on Von Johin’s ability as a musician. Avatar music performance in Second Life is one of it’s most interesting activities and here’s to continued growth in that area.

Update: Wired and New World Notes have picked up the story with no hint of understanding that everyone can buy their own ‘world record deal’.

Update 2: Von Johin has contacted us to emphasise that he is the first avatar to sign a record deal and given there’s no contrary evidence we accept that he is indeed the first. We also accept that the record deal may involve activities that offer more than services like TuneCore do. The main point was the hyperbole in the press release and the reality of cheap digital music delivery methods available to anyone wanting to utilise them. Of course, the purpose of record deals are to increase sales, so we look forward to seeing increased sales of music by avatars in Second Life.

SpaceJunky – Australian Second Life band doing well

I received a press release today from Australian Second Life resident Bella Dutton about music outfit SpaceJunky. The whole virtual band thing is far from new (I was involved in one in 1994) but it’s great to see another Australian artist doing well.

The full text:

“FOR IMMEDIATE RELEASE

Australian band SpaceJunky follows path from Tibet to Virtual Reality to the Next Big Thing

Tunes Island, SecondLife, (Jan 24, 2008) – This Thursday through the weekend millions of viewers around the world will have a chance to learn about an Australian band whose efforts to reach the public have taken the road less traveled, to say the least. Digress a few years: Tania Smith (known in SL as Shakti Cianci), lead singer and founder of Australian cosmic pop/rock band SpaceJunky traveled to Tibet and asked a Tibetan oracle in his temple if her band would ever be heard by the world. After rolling the dice an unusual four times and pondering for some moments he looked at her and simply said “yes”.

spacejunky.jpg

Flash forward to a year ago: Tania was searching the internet for an ancient Tibetan symbol that scholars like Robert Thurman of Tibet House were unable to decipher, and her search returned a link to a virtual online world she had never heard of before called SecondLife.

Tania then decides to re-create her band members in SL, eventually recruiting the help of a virtual publicist, stage manager and lighting designer, photographer, and other supporters on her team, with the intention of creating a virtual experience of a SpaceJunky concert in SL.

Now to the present: SpaceJunky’s shows are always packed and through their growing popularity they have gained fans around the world, sold cds, gotten real-world radio play and magazine covers, YouTube fan videos, offers to air their upcoming video and real life product endorsements….just like in real life.

So this week SpaceJunky are being featured in a CNN interview called the Next Big Thing with CNN Chief Technology and Environment correspondent Miles O’Brien whose attention was caught by their innovative use of cutting edge technology to promote their band. O’Brien has also long wanted to be the first news correspondent in space, so SpaceJunky had a virtual spaceship built in space for the interview, which will be aired on CNN and CNN International Jan 24 through the 27th.

All this is made more important by the fact that Tania and bandmates Luke Mason and Dan Harris live separately in the USA, Malaysia and Australia.
“Our dilemma is that our band members now live on three continents in three time zones on opposite sides of the planet, so being a band in Second Life allows us to promote our music and stay connected through the internet. Hopefully it will allow us to do what we really do, which is play live in real life too.” As professional musicians who have worked with large touring bands such as Kylie Minogue and stood on some of the world’s largest stages, they find it ironic that recognition might come to them as an animated virtual act.

Tania credits this cosmic journey to her Tibetan guidance, and as such is helping various Tibetan causes including aiding the project to build the Potala Palace in SecondLife, where the real life Dalai Lama himself will be invited to visit, and if so she will have the opportunity to sing for His Holiness. Tania admits that honor would be “virtually amazing”. “

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