Latest Quarterly Briefing available

Just a quick heads-up to our infrequent / casual readers that the latest quarterly briefing is now available. You can view it here or sign up to receive them automatically via email each quarter. For the dedicated virtual worlds observer the briefings may not have much new but the feedback we get is overwhelmingly positive from those who have a more fleeting grasp of issues in the field.

As always we love feedback, so please do contact us if you’d like to see other publications come on line.

One final thing – our 2011 Virtual Worlds and Business publication should be completed and available by mid-February 2011. If you’re a vendor with a good virtual worlds solution for business, now’s the time to pitch it so we can include it in the roundup.

Keeping in touch in a long-distance relationship

One thing I love about tech innovation competitions is some of the cool things thought up by young and/or inexperienced entrepreneurs. One such example is Pillow Talk.

Conceived by Joanna Montgomery, the concept is fairly simple. A sensor is worn by both individuals and then…

Apparently the idea has won some investment money, so expect to see some glowing pillows in a bedroom near you. It seems a potential winner to me.

Make your own (de)motivational posters

Thanks to this website, you can easily make your own motivational posters. It’s as simple as uploading a pic and coming up with some text, like this:

Go get creative and please feel free to post a link to yours in the comments.

The Hitler Downfall meme continues

For those unaware, there are now hundreds of short pieces on YouTube using the Downfall movie as a basis – a movie I need to add is well worth buying in its original form. Each parody addresses a contemporary issue. Although a meme that’s been pretty much flogged to death, I couldn’t resist making one that addressed yesterday’s milestone of 10 billion apps downloaded on the Apple App Store. It takes a swipe at Microsoft, Facebook, Google and Apple in fairly equal amounts.

Have a look for yourself:

The partial death and refocus of Blue Mars

In a fairly unexpected move, Avatar Reality’s CEO Jim Sink has announced the cessation of development of the PC application version of virtual world Blue Mars, with the soon to be smaller company moving to focus on developing for the iOS (read: iPhone / iPad) platform. The change involves the loss of a number of staff, including Jim himself. You can also listen to audio of his discussion with the Blue Mars community here.

Whichever way you look at it, this is a major setback for the company. The switch to iOS, however viable, does provide a stark contrast to the PC-only development to date. That sort of strategic shift doesn’t happen overnight, and given the fact an alpha of the iOS version is already in existence adds weight to that. On the face of it, it looks like another shift to the more superficial virtual worlds offering. The withdrawal of technical support and the shelving of further development for the current PC client will have a serious impact on the core group of content creators who’ve been working on the platform to date. Those creators may still have a role to play on the iOS version but it’s hard to envisage it moving out of beta before the end of the year.

Overall, this announcement has a few key impacts. First, it effectively ends in the short-term any claim Blue Mars had over being a serious challenger to Second Life. Second, Blue Mars now enters the iOS marketplace which is burgeoning with developers working on virtual worlds. Third, this places an ever more focused spotlight on the viability of more complex, content-driven virtual worlds. I’m hopefully very wrong but there seems to be a race to the bottom for market share more broadly. Hopefullt Blue Mars proves that wrong but I’m unconvinced.

Sincere commiserations to those affected by this change.

Dire Straits’ Money For Nothing: Canadian Ban Madness

Mark Knopfler and Elton John

Most people will have heard Dire Straits’ song Money For Nothing many times. Some people hate it, but most will enjoy humming or singing along. For Canadians, their singing habits will need to change as the song has been banned from being played on radio because the Canadian Broadcast Standards Council (CBSC) has decided the lyrics are an issue. These lyrics in particular:

The little faggot with the earring and the make-up
Yeah, buddy, that’s his own hair
That little faggot’s got his own jet airplane
That little faggot, he’s a millionaire

The complaint (the first one known since the song’s 1984 release) was lodged by a CHOZ-FM listener:

A song was aired, “Money For Nothing” by Dire Straits, and included the word “faggot” a total of three times. I am aware of other versions of the song, in which the word was replaced with another, and yet OZ FM chose to play and not censor this particular version that I am complaining about.

I find this extremely offensive as a member of the LGBT community and feel that there is absolutely no valid reason for such discriminatory marks to be played on-air.

The response from the station was pretty detailed and included an outright apology whilst maintaining the right to play the song:

We understand the concerns you have raised regarding this particular selection and do apologize for any undue stress caused to you as a listener by the lyrical content of this selection, but based on the above reasoning, we have operated with the understanding that in this specific case, no editing of the material is warranted.

The listener, unhappy with the radio station’s response, wrote to the CBSC (you can read it all here):

In the letter, [OZ FM’s Senior Vice President] lists a number of reasons in an attempt to justify his stations airing the uncensored version of the song. One of the reasons given was the awards and acclaim that the original version of the song has received. These include 1986 Grammy for Record of the Year and 1986 American Music Award for Record of the Year. This is comparable to the achievements of Kanye West’s 2005 song “Gold Digger” which received 9 Grammy nominations, including Record of the Year, and is certified triple platinum. This song contains another discriminatory slur, not directed towards sexual orientation, but towards race. When played on OZ FM, this slur is censored despite the song’s achievements. I fail to see a difference between the two situations.

The CBSC then undertook a formal process and decided the song can’t be played on air in its unedited form. There’s some fascinating reading in the decision on the origins and usage of the words fag and faggot, then a final adjudication:

Still, the Panel concludes that, like other racially driven words in the English language, “faggot” is one that, even if entirely or marginally acceptable in earlier days, is no longer so. The Panel finds that it has fallen into the category of unacceptable designations on the basis of race, national or ethnic origin, colour, religion, age, gender, sexual orientation, marital status or physical or mental disability. In addition to the terms already so categorized by previous CBSC Panels, there are undoubtedly other racial epithets (not yet the subject of CBSC Panel decisions) that would likely fall into the category of words that are inherently problematic. In any event, the Atlantic Regional Panel concludes that the use of the word “faggot” in the song “Money for Nothing” was unacceptable for broadcast and that, by broadcasting an unedited version of the song, CHOZ-FM breached Clause 2 of the CAB Code of Ethics, and Clauses 2, 7 and 9 of the Equitable Portrayal Code. The Panel notes parenthetically that the song would not otherwise fall afoul of any of the foregoing broadcast standards if suitably edited.

And that is that. I can understand the concern over the use of the word in a song produced in 2011. But in a song coming up to thirty years old that contains a lyric I believe Mark Knopfler at least partially overheard and that Elton John is happy to sing? There’s been a recent announcement of the publication of The Adventures of Tom Sawyer and Adventures of Huckleberry Finn without the word nigger. Far be it for me to argue that Dire Straits were the Mark Twain of the rock world (although they were at least a Bronte sister in calibre to me), but the issue is similar: where do you draw the line?

I’d love your thoughts on this. Not just on whether you think the decision is right or wrong, but how do you see this working in the future? Is it possible to develop standards that protect older works whilst ensuring offence is minimised?

[via Digital Journal]

3D and kids: we just don’t know

One of the more interesting issues over the past year has been around 3D at consumer level. Whether it’s 3D TVs or handheld 3D gaming, there’s a significantly ramped up debate on potential issues around the technologies. An example is this story covering Nintendo’s warning on excessive use of its 3DS handheld gaming device. The company has rightly been transparent, even if only to cover future potential legal liabilities, in its desire to frame the level of use of such devices.

There’s exactly one fact in the debate over the impact of 3D on kids and their development: we do not know in any way, shape or form what that impact is. An educated guess would be that excessive use could have a harmful impact and that in well-structured settings some use of 3D environments could actually be beneficial. However, until there’s a solid body of evidence supporting either of those claims, everything else is theorising or spin. That is likely to be the case for a number of years yet, as building the research body on top of the great work to date is a huge task. It’s an even bigger task given the tendency for most 3D environments to be closed shops owned by large companies like Nintendo, Sony and Microsoft.

In the meantime expect lots of hype and probably an equivalent amount of hysteria. For those interested in the area, an interview I conducted with Andrew Campbell from the University of Sydney’s Prometheus Research team eighteen months ago is still very pertinent in addressing the complexities of the area.

I’d be really interested to hear your thoughts on the likely impacts, both positive and negative, of the seeming diffusion of 3D devices in the home.

Facebook addiction: there is moderation

A little over a month ago, Ross Gardiner posted the video shown below, addressing his thoughts on Facebook. It’s well worth a watch if you’re a fairly heavy user of Facebook and wonder about whether it’s a good use of time. That said, the video does take the well-worn path of abstinence, which is overkill for the large majority who use Facebook a few times per week.

I’m endlessly amused at the black and white approach to anything like this: you’re either a heavy user or you don’t use at all. It’s a shame that approach misses out the huge majority that fall squarely in the middle. Anyway, if you worry about your level of Facebook time, have a watch of this:

Thanks to a Facebook friend, Anna, for the link.

Auto-correct embarrassments turn to gold

I love me a good humour site. Whether it’s Awkward Family Photos, Cake Wrecks or the now over-hyped S*#t My Dad Says, there’s plenty of places to get a laugh.

One I hadn’t come across is Damn You Auto Correct. It’s a regular update of screenshots of awkward, humiliating and just plain funny SMS messages on smart phones, where the phone has auto-corrected words.

Aside from providing lots of laughs, the site raises one big question: why the hell don’t people read the message before hitting send?

Thanks to a fellow musician forumite, Botch, for the link.

Journal of Virtual Worlds Education: inaugural issue

Just a quick heads-up of the launch of the Journal of Virtual Worlds Education. Published by The Center for Virtual Worlds Education and Research, there’s a mix of research and discussion papers covering a wide gamut.

Check out the main JVWE website or view the first issue here.

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